Showing posts with label tutorials. Show all posts
Showing posts with label tutorials. Show all posts
Tuesday, March 27, 2012
Tutorial: The Waterbrush
Tuesday, March 6, 2012
Iced Tea
Labels:
tutorials
Friday, February 24, 2012
Antiquing Paper: A Tutorial
Hiya everyone! So I'm working on a little project that requires some old-timey looking paper, so I thought I'd whip up a little tutorial for two simple ways to antique some paper!

First and foremost, I am pretty sure there are other ways to do this. There are dozens of tutorials on the internet, just use a little google-fu if you want other options. This is just a quick tute on my two favorite (and suuuper easy) ways to do it. So anyway, let's get started!

Things You Will Need: Paper (I used some printmaking paper - it might be Stonehenge or Rives, but almost any paper will work.), Tape (artist's tape or low-tack blue tape will work), Watercolors, Dr. Ph Martin's Concentrated Watercolors, Brushes, and Walnut Ink.

Start by taping your paper down on all edges. This is important to minimize wrinkling, especially if you are going to be using paper that isn't as heavy as printmaking or watercolor paper. I usually tape my papers to whatever I have lying around - in this case, it was the back of a sketchbook.


First, get your paper as wet as possible. I mean soak it with water. Then take your watercolor and cover the whole surface of the paper with it.

YEOW, that is yellow. Time for some emergency texturizing/de-yellowfying:


Dab away with a paper towel. This will not only calm down the saturation of the color, but it will add that awesome texture that makes it look more vintage!


Now take a darker color, like burnt sienna, and, loading your brush with a lot of the color and a lot of water, hold it over the paper and flick it sharply with your index finger. This creates a rad splatter pattern! I didn't worry about getting it on both sheets of paper, since I was going for antiquey anyway.

Bam! (We're working on the left one - ignore the right one for now. We'll get there.) Check out that rad texture. Dang, that is awesome. Pat yourself on the back. But, yknow, it's still really bright for a supposed-vintage piece of paper, isn't it? That's where Dr. Ph Martin comes in.


Now that is what I'm talking about. Take the dropper in the bottle, drip a few drops of concentrated watercolor onto your paper, and then using a brush with a lot of water, spread it around. If you get too much on there, feel free to take a paper towel and soak up a little of the excess.

Ba-bam! (On the left.) Now that is money. Oh, what's that? You want to learn how to do the one on the right already? Alright, let's do it.

This method is even simpler than the other one. To begin, do what you did before: get your paper nice and wet, then lay out a wash of walnut ink. Feel free to let it drip, and don't worry about getting an even wash: the more imperfect, the more perfect it is! Use the ol' flick trick a few more times, too.

And here we are already! If you want a little more texture, you can drip a few drops of water all over the paper, like I did:

I might have overdone it a bit. The beauty of watercolor/ walnut ink/ all of the above is that you can keep adding to your piece and keep taking away as much as you want.

And that, friends, is all there is to it. Two ways to antique paper very speedily. Have fun! Write some historical letters! Do some botanical sketches! Print on it! So many possibilities. As for me, this paper is going to become some Latin labels for a little project I'm working on. Want a sneak preview? Here you go:

Aww yeah.
Method One: Watercolor
Method Two: Walnut Ink
Wednesday, January 11, 2012
Tutorial: Watercolor Sketch
So first you start with a sketch. I did mine in 3B pencil last night while waiting for something to load or something. It's a sperm whale skull! Hence the teeth on the lower jaw.
Then I did a light wash of yellow ochre and burnt umber. I used this freebie sumi brush but it sucked.
Another, slightly darker wash over the darker areas. Switched to a better brush this time.
Then I decided that this baby needed a background, so I mixed some burnt umber with some red and washed away.
Then did the darkest darks on the skull. I didn't have a reference picture, so who knows if the shadowing is accurate or not.
Blend out the darkest darks. Dang, this sketch is wet!
Another layer of darkest darks.
Blend the darks out again.
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